It always sounds more right to me when it's detuned. When it's right in tune, it's like there's something slightly off. But at the end of the day, it's all about frequencies and what they do to you. That's the real core.

That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.

Well, I just bought a massive bank and I've moved into it on my own.

When I look at commercial studios, I think, "Oh, they're all so nice and tidy," but it's because they don't actually write music in them.

Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.

A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

I'm trying to work out more ways to involve my children, because the way I do stuff is so anti-kid, it's really boring. It's not fun. It is to me, but not to them, because they don't even know what I'm doing.