If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.

In Britain, it's good for me to be anonymous, because they just think it's a nobody. "Who is this guy?"

You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.

The best musicians or sound-artists are people who never considered themselves to be artists or musicians.

I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."

Well, I just bought a massive bank and I've moved into it on my own.

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.