Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.

If you've got a stick hitting a drum and you're programming it on a computer, it's so much more interesting than a sample playing back - it's something in the air, that's the magical ingredient.

My filing system's really crap because I can never decide whether to sort things by studio, or year, or where I lived.

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.

The best musicians or sound-artists are people who never considered themselves to be artists or musicians.

In Britain, it's good for me to be anonymous, because they just think it's a nobody. "Who is this guy?"

There's a lot of melancholy in my tracks.