Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.

Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.

In Britain, it's good for me to be anonymous, because they just think it's a nobody. "Who is this guy?"

There's a lot of melancholy in my tracks.

The holy grail for a music fan is to hear music from another planet, which has not been influenced by us whatsoever. Or, even better, from lots of different planets. The closest we got to that was before the Internet, when people didn't know of each other's existence. Now, that doesn't really happen.

You can't rely on the fact that people know you. At Glastonbury, when they all knew I was DJing, everyone was cheering even though they'd never heard some of the tracks I was playing before.

If you're making things at home, there is no structure - no end, no beginning. So releasing stuff is a really nice way to have dividers in between what you do, and giving yourself a kick up the ass and saying, "OK, that's the end of that period."