Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.

Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.

A lot of composers before me have been on this mission to change the world by getting off equal temperament, and I'm definitely one of those.

It's not about what equipment you have, it's what you do with it.

The holy grail for a music fan, I think, is to hear music from another planet, which has not been influenced by us whatsoever.

You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.

The best musicians or sound-artists are people who never considered themselves to be artists or musicians.