I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."

You're brainwashed in the West with equal temperament, so it's quite hard for people who like following rules to get outside of that and see what you can do. But for me it's easy because I don't work like that. I work intuitively.

It's not about what equipment you have, it's what you do with it.

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

It's only interesting when you're from somewhere else, like America or Japan. The further away the more interesting it is.

I'm trying to work out more ways to involve my children, because the way I do stuff is so anti-kid, it's really boring. It's not fun. It is to me, but not to them, because they don't even know what I'm doing.

I've got a weird balance problem as a human being, like I'm dizzy, and it's something to do with that.