I used to love jungle. I still think it's the ultimate genre, really, because the people making it weren't musicians.

In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.

I've always got to change something. All the tracks I've done in the last five years were made in like six different studios. It gets a bit complicated.

When you get new rules that work, you're changing the physiology of your brain. And then your brain has to reconfigure itself in order to deal with it.

I wanted to do gigs where you've just got mirrors on the stage, and then you light the crowd so they look at the stage and all they can see is themselves. It's just like, "There you go, it's you, you cunts."

Because I've been making music and releasing it for so long, I've got that production-line thing in my brain: I can't do anything new until the last one's out.

I'm trying to work out more ways to involve my children, because the way I do stuff is so anti-kid, it's really boring. It's not fun. It is to me, but not to them, because they don't even know what I'm doing.