That's just globalization. It's got good sides as well. But scenes aren't allowed to develop on their own anymore. Everyone knows about everything.

I'm trying to work out more ways to involve my children, because the way I do stuff is so anti-kid, it's really boring. It's not fun. It is to me, but not to them, because they don't even know what I'm doing.

Forget all the equipment, forget the music, at the end of the day it's just literally frequencies and their effects on your brain. That's what's everyone's essentially after.

If it takes you three years to set up a studio, and you've made one track with that setup, then the logical thing to do is not change anything and just do another one using the same set of sounds.

The best musicians or sound-artists are people who never considered themselves to be artists or musicians.

In America, it's quite admirable if someone's done well or been successful at whatever it is. Whereas in Britain, they're not. They only like it when you're the underdog.

I got a feeling I had loads when I was in primary school, 'cause I had red hair; you know, like Duracell.