It is interesting to ask why people who come to view art suddenly posture themselves as full of righteousness. It's as if my artwork suddenly lends a higher moral ground to everyone else in the Thai art world.

My art practice eventually arrived at a point where I had freedom from various limiting conditions; the institutional mindset is not airtight and isn't altogether ideologically programmed. There are ways of escaping.

It's surprising that readers don't see challenging writing as morally hazardous, when it might be pushing the same kinds of boundaries as art does.

There might just be a universal expectation to respect the dead, but my work is also born from another aspect of Thai society - that is, the overemphasis on familial bonds.

I extol life so much that I cannot make art.

I eventually shifted to video. Video opened up new conditions, or freed me from old conditions.

In academic circles, especially, I was criticized for lacking morals, values, and ethics. I'm feeding that angry feminist reading of my work.