I would give the cameras to the kids in the swimming pools and they would play with them, and then I would collect them and we would upload it. If you're in the process, you're there.

Creative differences are legendary in this movie business, so we're really not exploring the creative-difference aspect as opposed to the money aspect, or the fact that something can come up in a movie and literally put the whole movie on the line, and this is where producers have to earn their keep.

I got involved with an acting school and studied for a couple years. They used to have improv exercises that you would work on and you would do improvs.

Everybody's trying to hold onto some shred of dignity in the process of it all, and, at the same time, never talking about how they don't have the power. No one has the power. So, you know, producers - we always think, "Well, producers are very powerful," but producers don't really have the power.

I think it's a promising time which will show a lot of diversification that we've seen in the past.

There's no downside to having too much experience.

A lot of people have done things over the years and made fun of people in one way or another. When I was a kid, Vaughn Meader used to do John F. Kennedy. I don't know if that makes John F. Kennedy less credible. He would do the voice, he'd have some silly situations or whatever. I don't know if it made him less presidential because of it.