I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.

With television you are producing hours and hours of music and for film it is a shorter experience for both the audience and for you as a composer.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.