I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

If I switch showrunners and I get to stay on the show, I approach it like it's their show, and I'm here to write their music for them.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

Sometimes I find bringing in my old ideas is just detrimental.