If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

Sometimes I find bringing in my old ideas is just detrimental.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved or unusual way.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.