If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.

Sometimes I find bringing in my old ideas is just detrimental.

If I switch showrunners and I get to stay on the show, I approach it like it's their show, and I'm here to write their music for them.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.