The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.

I always like to think I build in historically accurate musical in-jokes that are so precise that like maybe there's 7 or 8 people in the world watching the show that will sit up and go, "Oh my God the music being played is the right kind of music!"

I'm not a good enough musician to like completely master something in a couple of days and turn it around.

I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.

Sometimes I find bringing in my old ideas is just detrimental.