The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.

I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved or unusual way.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.