Sometimes I find bringing in my old ideas is just detrimental.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.

When you change showrunners, it's like getting divorced and getting remarried.

With television you are producing hours and hours of music and for film it is a shorter experience for both the audience and for you as a composer.