Sometimes I find bringing in my old ideas is just detrimental.

With television you are producing hours and hours of music and for film it is a shorter experience for both the audience and for you as a composer.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

When you change showrunners, it's like getting divorced and getting remarried.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

Sometimes I find bringing in my old ideas is just detrimental.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.