I'm not a good enough musician to like completely master something in a couple of days and turn it around.

When you change showrunners, it's like getting divorced and getting remarried.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved or unusual way.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

Sometimes I find bringing in my old ideas is just detrimental.