I'm not a good enough musician to like completely master something in a couple of days and turn it around.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

Sometimes I find bringing in my old ideas is just detrimental.

When you change showrunners, it's like getting divorced and getting remarried.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.