I'm not a good enough musician to like completely master something in a couple of days and turn it around.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

When you change showrunners, it's like getting divorced and getting remarried.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

If I switch showrunners and I get to stay on the show, I approach it like it's their show, and I'm here to write their music for them.

I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved or unusual way.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.