I'm not a good enough musician to like completely master something in a couple of days and turn it around.

Sometimes I find bringing in my old ideas is just detrimental.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.

When you change showrunners, it's like getting divorced and getting remarried.

If I switch showrunners and I get to stay on the show, I approach it like it's their show, and I'm here to write their music for them.