I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

When you change showrunners, it's like getting divorced and getting remarried.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

Sometimes I find bringing in my old ideas is just detrimental.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

With television you are producing hours and hours of music and for film it is a shorter experience for both the audience and for you as a composer.