I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved or unusual way.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.

I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.

Sometimes I find bringing in my old ideas is just detrimental.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

If I switch showrunners and I get to stay on the show, I approach it like it's their show, and I'm here to write their music for them.