I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved or unusual way.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.

Sometimes I find bringing in my old ideas is just detrimental.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

With television you are producing hours and hours of music and for film it is a shorter experience for both the audience and for you as a composer.