What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

I think the thing that music can do is be unsettling. It is abnormal - music that's perceived to be different in an unresolved or unusual way.

When you change showrunners, it's like getting divorced and getting remarried.

With television you are producing hours and hours of music and for film it is a shorter experience for both the audience and for you as a composer.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.