While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.

If I were doing five cop shows, I'd probably start struggling to find an identity for each one and struggling to find inspirations.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

Sometimes I find bringing in my old ideas is just detrimental.

I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

When you change showrunners, it's like getting divorced and getting remarried.