Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

What I love more than anything is Jerry Goldsmith's 80's music and Bernard Herrmann's genre music from the 50's and 60's.

Sometimes I find bringing in my old ideas is just detrimental.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.

If I switch showrunners and I get to stay on the show, I approach it like it's their show, and I'm here to write their music for them.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.