Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

I'm not a good enough musician to like completely master something in a couple of days and turn it around.

Tension, especially with regard to horror, is a very difficult thing to sustain in the big sense.

I've always approached television from a little more cinematic perspective, if not a much more cinematic perspective because of the shows I have been fortunate enough to work on.

The showrunner relationship in television is what the director relationship in film, there's really no more important relationship.

I always like to think I build in historically accurate musical in-jokes that are so precise that like maybe there's 7 or 8 people in the world watching the show that will sit up and go, "Oh my God the music being played is the right kind of music!"

While the accompanimental [sic] figures come from Prelude, the melody is wholly original to this theme. First stated on a lonely duduk, and then in octaves by the violins and violas, it is a melancholy and contemplative tune.