Well, this movie I've been working on for a while. I had the idea for the movie like twenty years ago when I was doing 'Empire of the Sun' in 1987 because at that time that's when all these Vietnam movies were being made and my friends and I were going on auditions for these Vietnam movies and my friends were getting them and going away to fake boot camps.

I don't think the public is dying to see me necessarily be funny all the time.

I'm Jewish, but my mom's Catholic, so the guilt area is covered. I have the highest expectations, along with the lowest. I tried to put as much of myself as possible in Reality Bites, but in terms of my humor, I'm still trying to figure out what my sensibility is. It's a process, really. I don't feel like I have a very clear idea of what I'm supposed to be, or even of how people perceive me, except that I got put into this Generation X file.

I'm just not a naturally cheery person. I'm naturally moody. I know that from people who spend a lot of time with me. People who spend a lot of time with me may not wish to spend a lot more time with me.

I think you never want to have to go into the scene having to improvise; you want to make sure its working on the page. But I do like to have the ability to try stuff just in the moment, to give it some sort of spontaneity.

I recently watched that Lucie Arnaz-produced documentary [Lucy and Desi: A Home Movie, 1992] about her parents [Lucille Ball and Desi Arnaz], and I saw so much of my own childhood there.

I wanted to be funny for people who didn't care about fashion at all, to just to kind of exist as a silly character.