'Get a Job' is about all the rich kids we knew when we were younger, kids who never had jobs but always had money for partying or getting their hair done.

Even talking, I'm super-loud. I could never have that kind of meek, little wispy whimsical lavender and lace voice. It comes from my body. There's no way I can fight it.

I've never had a very quiet voice. I tried in choir to make it smaller, and it just didn't work out. And I listened to a lot of soul music when I was growing up on my own accord. But I was mostly into Mama Cass and Gladys Knight, and they all had big voices too; just different than mine.

You don't pigeonhole yourself, people pigeonhole you. If the world is not at a place yet where it can just be like, "This music is gay and it's music," then it's not my fault that it gets pigeonholed, it's not the people in the band's fault, it's because people won't just let music be music, people who need to put a name on something or to critique something.

I was born fat and have always been, which was just fine and even healthy and cute until I turned ten or so. Puberty hit like a hurricane and brought a new set of rules. All of a sudden it was my fault I was chubby.

We were a small group of weirdos and baby punks and gays and free spirits who had to use our imaginations a lot. We only saw pictures and read zines, so we could only interpret the aesthetic and message of punk scenes around the world. We were basically the duck-billed platypuses of punk.

The fit is my main focus, I want the fit to be great and that's the focal point for me.