The film industry gives you the opportunity to meet interesting people.

So much of the humor on new sitcoms plays to the lowest common denominator. Wit isn't nearly given as much attention as slipping on a banana peel. So much of the writing is so coarse, so obvious that it doesn't provide a shock, never mind a laugh. What makes something funny is alluding to it without laying it out explicitly. You let the audiences fill in the gaps and that's where the laughs come.

I go out to the kitchen to feed the dog, but that's about as much cooking as I do.

I really don't care with whom you sleep. I just care what kind of a decent human being you are.

Humor is like a rhythm; it's like music. And you throw a couple of extra syllables in, you wreck the beat and you kill the laugh. So I try to follow the writers very carefully because I know how carefully they worked to do it that way.

If you have one good series, you know, it's a blessing. Two good series is unusual. Three is a phenomenon, but right now, I'm working with these wonderful women on 'Hot in Cleveland,' and Valerie Bertinelli, and Wendy Malick and Jane Leeves are like, it's like the buddy-ship we had on 'Golden Girls' and 'Mary Tyler Moore.'

I'm just happy as a lark having a good health. People say are you thinking about retiring, I don't have time to think about retiring.