I improvise whenever I feel it's important, or whenever I think that something's there. It's nice to have a script that's so well-written that I don't have to improvise. I mean, I used to have to re-write whole movies; this is kind of nice.

If I run into someone on the street, that's one thing. But answering mail for a living? I like a job where you can play and act kind of goofy and have some fun.

Grab this day by the neck and kiss it.

If you walk up to some random person on the street, grab them by the shoulder, and say 'Did you just see what I saw?!', you'll find that no-one wants to talk to you.

Parties are only bad when a fight breaks out, when men fight over women or vice versa. Someone takes a fall, an ambulance comes, and the police arrive. If you can avoid those things, pretty much all behaviour is acceptable.

'Groundhog Day' was one of the greatest scripts ever written. It didn't even get nominated for an Academy Award.

When you did the job, you thought you were just trying to amuse your friends who are all on the job. I'm just trying to make the sound guy laugh, the script supervisor. A movie like Caddyshack, I can walk on a golf course and some guy will be screaming entire scenes at me and expecting me to do it word for word with him. It's like, 'Fella, I did that once. I improvised that scene. I don't remember how it goes'. But I'm charmed by it. I'm not like, 'Hey, knock it off'. It's kind of cool.