Saturday morning cartoons do that now, where they develop the toy and then draw the cartoon around it, and the result is the cartoon is a commercial for the toy and the toy is a commercial for the cartoon. The same thing's happening now in comic strips; it's just another way to get the competitive edge. You saturate all the different markets and allow each other to advertise the other, and it's the best of all possible worlds. You can see the financial incentive to work that way. I just think it's to the detriment of integrity in comic strip art.

I've got to start listening to those quiet, nagging doubts.

I was reading about how countless species are being pushed toward extinction by man's destruction of forests. . . . Sometimes I think the surest sign that intelligent life exists elsewhere in the universe is that none of it has tried to contact us.

For no reason I can think of, I've wandered far astray. And that is how I got to where I find myself today.

Genius is never understood in its own time.

I'd always enjoyed the comics more, and felt that as long as I was unemployed it would be a good chance to pursue that and see what response I could get from asyndicate, as I didn't have anything to lose at that point. So I drew up a comic strip - this was in 1980 - and sent it off and got rejected. I continued that for five years with different comic strip examples 'til finally Calvin and Hobbes came together. But it's been a long road.

Cleveland is a really hard place, it's a very creative place, it feeds you creatively, but it's a very hard place to make a living creatively.