When you're on a staff, it's not your job to write what you think is funny. It's your job to write what the person who created the show thinks is funny.

You have to lean into the turn. On every creative aspect, you have to lean into what's working.

I used to search and search for that actor or actress who's exactly what's in my head. But you have to realize you have to cast whoever's super talented and super funny, and then the character has to become at least partially theirs.

I am done with the hour-long [true crime] shows: "She was a happy married wife. Everything was perfect. Until the trip to Aruba."

One of the things I'm proud of is my ability to change directions if something's not working.

In a landscape where a 2.8 [demo rating] keeps you on the air, you can maintain that just by treating your fans with respect.

Fans can't ruin shows. Only creators can.