Any time you try to be edgy just for the sake of being edgy, that's the worst way.

With showrunning, the more successful you get, the more you're pulled away from the writing.

By engaging someone for five minutes, you can make them a lifelong fan.

When you're on a staff, it's not your job to write what you think is funny. It's your job to write what the person who created the show thinks is funny.

It's a nightmare of editing. That's what I do all day.

You have to lean into the turn. On every creative aspect, you have to lean into what's working.

Part of walking the line as showrunner is trying to please people and still be true to what you believe creatively.