Guys like Todd Bridges never overcame being a child star. You can't have any big failures. I've always felt regular. I played organized ball at the rec league. At 13, they told me I sold 3 million copies. I didn't know what that meant.

The music industry is so fickle, there's so many politics. I think a lot of people don't pay attention to the credits or the artistry no more. I think there's so much concern about what's going on right now instead of the actual artistry. But that's how the record business is, but for acting, I got that covered.

Dealing with the fame and going from nothing and becoming something where everyone wants a piece of you, your life changes in a day.

I don't want to mess up my life. You only get one shot. I don't want to let my fans or anybody else down. So, I always think before I act. And as long as I do that, I'll be okay.

My fans love what I do. That's what makes me love what I do. I don't do it for myself. I don't do it for money. I really don't. I've turned down money. People know that. When my fans tell me, "Yo, that movie was dope!" it makes me want me to do more movies.

I worked with Snoop, but I would love to work with him again, but DMX I would love to work with him as well I met him in Atlanta; I went to one of his concerts; I would love to do a song with him. I respect him and really like his music.

I want to be remembered as one of the illest, youngest cats to do it successfully and to keep doing it successfully. My early story alone deserves to be told, because at 6 years-old I was discovered by one of the best producers of all time, Dr. Dre, and I went on tour at 6, and appeared on Snoop Dogg's album at the age of 7. And I'm still here. Nobody else has a story like that, and it has to end great.