Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she's the queen of the web.

I did a great show Off-Broadway called Leave It To Beaver Is Dead that was at the Public Theater in New York. It was written by Des McAnuff, who's an illustrious director now, and it starred... Well, I was in it, Mandy Patinkin, Dianne Wiest, Saul Rubinek, and Maury Chaykin. It was an amazing show. But it was definitely ahead of its time, and people didn't quite get it.

Actually, I had a really nice part in that movie [Ladies And Gentlemen, The Fabulous Stains]. I mean, I have, like, one second in the final-cut version, where I say "You're fired" to Diane Lane. That's about all you see of me.

I've toyed with this idea [of Fresh Hell] for a long time. I actually wrote a feature years ago with this sort of concept in mind, and it's gone through several incarnations, and... It wasn't 'til I met Chris Ellis, who directed me in a little thing that was actually for a ride in Universal Singapore, for those of you who happen to be going to Universal Singapore.

I've worked with some great people [in Star Trek], and I was paid handsomely, and it was a nice role. So the whole experience was positive for me.

I try to do as much as I can. I probably knew more about Earl Mills than anybody on earth besides people who actually knew him.

I think that Enterprise was getting better and better, actually, and if it had kept going, I think it would've turned into as good a show as any other in the Star Trek franchise.