From my personal taste, it needed more of a visual style. It's so hard when you're adapting something that's so visually scrumptious like Mike Oeming's drawings. They're so unique to comics, but they're a voice.

I was listening to the inclusiveness of Spider-Man, and why he's so appealing to so many people, but I didn't connect it all at first.

Artists are not your art monkeys. They are your collaborators. They should be given all due consideration to follow their journey.

I have a very strong color theory, for instance, where in 'Powers,' green means powerless, and red means power.The story was all there, but I was desperate to make sure that extra level was the case.

It was a very excellent day over there at HBO/Cinemax when they bought 'Powers' . I felt like I graduated television college, because they make amazing television. The person who said yes to Veep said yes to us, which made me feel very good about myself for five seconds. Which my self-loathing doesn't usually allow me to feel. Even I could not say that that wasn't a fun day.

One of the things I like to do is people's hearts are on their sleeve, whether it's a good or a bad heart. And I think that's one of the things living in a world with Powers would do: it's too theatrical not to express yourself constantly. It would change them socially and sexually, everything would be altered because of superheroes.

I obviously love those characters ['The Avengers'] with my whole heart. I was on a one-man "Luke Cage is cool" campaign for most of the Aughts. When we announced the New Avengers line-up, and Luke Cage and Spider-Woman were there, a lot of fans went, "WHAT?!?!?! Bulls--t!" And I had to prove myself. They were right: I can't just announce they're cool. What's less cool than that? I have to show that they're cool! But this is way farther than I ever thought it would go.