I eat Fig Newtons by the sleeve.

I like to go on stage with a variety, with some stuff that's been around for a handful of years, some stuff from the last year, some stuff is from last week, and some stuff is brand spanking new. Those are the moments that excite me - when I'm coming up to a brand new bit. The more virgin the snow, the more fun it is to run on.

When you're onstage, it's a communication technique when you make people laugh. You're communicating. You're communicating with other human beings and when they laugh you know that you're connecting. Laughing is an honest reaction and it's something that I can trust, and I love that feeling of knowing that I connected.

The big yellow one is the sun!

You can poke fun at some pretty difficult circumstances, and it's just a way to pop the bubble. I don't do that thing onstage usually, but offstage sometimes I might.

Can you imagine being bilingual? Or even knowing anybody that was? I'm not even unilingual. Actually, I shouldn't say that. I don't give myself enough credit. I know enough English to, you know, get by. I can order in restaurants and stuff.

So when you do board, the first class people, they're sitting there. A lot of them are working as your boarding. They have computers out and calculators. They're looking up at you like, Hey, we're making money right now!