I'm capable offstage of having some dark, twisted thoughts but the kind of things I like to do onstage are just more conceptual and I don't even think of them as being clean. I don't sit down and think, "Man, I'm going to come up with some lily-white comedy!" They're just things that I like to talk about, and then at the end of the day you think, "Well, I guess that was clean" but it's not the focus.

I hate getting off the elevator on the wrong floor? Anyone ever do that... and then you have to turn around and face those people. I feel like I owe everyone in there an explanation.

So when you do board, the first class people, they're sitting there. A lot of them are working as your boarding. They have computers out and calculators. They're looking up at you like, Hey, we're making money right now!

I hate the phrase “One thing led to another”. What kind of lazy writing is that? Isn't it your job as a writer to tell me how that made this happen? “Adolf Hitler was rejected as a young man in his application to an art school. One thing led to anotherand the United States ended up dropping two atomic bombs on the sovereign nation of Japan”.

Superhero power... I probably would just want to fly. I definitely would not want to be able to see through walls. I think walls are there for a reason. People put them up for a reason. You don't want to be looking through them. That would only cause nothing but misery and angst to know what's happening behind people's walls.

Every comedian works differently. Some comedians might do just observational stuff and they don't do anything personal, and other people.. everything they do is personal and they don't do any observational stuff at all. There's no right or wrong, it's just that everybody picks their own approach.

Some people look at creamed corn and ask, 'Why?' I look at creamed corn and ask, 'Why not?'