We would like to have a great future, so we need to think about the urban philosophy, the urban problems, and the construction of the city. That's the new politics, maybe.

Without any hope you cannot talk about suffering. If you talk about suffering without hope it's enjoying our euthanization. I tried to avoid euthanization enjoyment.

Some people are like a defeated warrior: they accept the defeat, go to work, go back home, watch TV silently. That is like a prison. You can have a life sentence in prison and it's the same in cities.

We would like to have a great future, so we need to think about the urban philosophy, the urban problems, and the construction of the city. That's the new politics, maybe.

When I decided to write a novel about Istanbul, I thought I should put the different faces of Istanbul into one book. I also put the characters in a cell, and it's three stories underground, rather than on the surface. The characters have one Istanbul, the other one is above ground. One is in dark, one is in light. That kind of contradiction - those opposite sides - creates a great energy in Istanbul.

Istanbul is divided by time, not space. The first Istanbul is the Istanbul of the past. A long time ago, during the empire, it was beautiful, it was the glorious time of our nation, people say. Then, when they talk about today, they complain about it: It's very melancholic, it's very stressful. We've lost our golden age in the past, and now we're living in our dark era.

Someone might say about a person, "Oh, they are a 'Westerner." But who are Westerners? Greek, Bulgarian, German, English, Scandinavian, Spanish, American, Latin. All different nations, all different people. Different individuals live in the West. There's no such thing as "West" just as there's no such things as "East." What is "East?" Turkey, Iran, China, India, Japan. They are all different. They are all unique.