The singular point of beautiful objects, and people, is that they are experienced not as parts, or ratios between cheekbones and chin, but as wholes. The experience of beauty is a perception, but it is one that mixes up various other sensations and makes them converge in a particular way.

If you look at any leaf on any tree branch, it's similar to but not exactly a repetition of the previous branch. So the new science of complexity or showing how an architecture can be produced just as quickly, cheaply and efficiently by using computer production methods to get the slight variation, the self-similarity.

Modern Architecture died in St. Louis, Missouri, on July 15, 1972, at 3.32 p.m. (or thereabouts), when the infamous Pruitt Igoe scheme, or rather several of its slab blocks, were given the final coup de grace by dynamite.

A sign to me is a one-liner, a symbol is very complex and my house is a series of symbols.

What is the most interesting thing to people? Other people.

It's a mark of any icon that it should be open to iconoclasm.

Like our attitude to love, truth and goodness, we seem to be confident about knowing what beauty is - certain, even dogmatic - until we think hard about the idea, whereupon all confidence flies away.