The English was really my mother, it was never me. Being the daughter of my father, I always felt very French.

The more you turn down things, the more difficult it becomes to feel that the next one will be right.

With a film you go with the script that's already written. And I've never thought of a project, a film that would come from my own desire. I don't think I can do it. I need someone else's desire to be able to do something. With a record, it is completely different, it's a collaboration with another artist, but I'm willing to go into intimate places with no masks on.

I have ideas of subjects and atmospheres that I love. I either want to go in a tougher, stronger direction or do the opposite: simple ballads.

I'd love to be able to write again, but I'm so repetitive. And it was all about fear. Never positive. Just indulgent about my sadness.

In France, you're with the crew, and you have lunch with them. It's more like a family.

You don't accept your weaknesses the same way that you love the weaknesses of another artist, because when they make mistakes they don't look like weaknesses.