Once you allow yourself to identify with the people in a story, then you might begin to see yourself in that story even if on the surface it's far removed from your situation.

Living fire begets cold, impotent ash.

There is a certain increase in the importance I assign to women in getting us out of the mess that we are in, which is a reflection of the role of women in my traditional culture - that they do not interfere in politics until men really make such a mess that the society is unable to go backward or forward. Then women will move in.

Whenever you see a toad jumping in broad daylight, then know that something is after its life.

Some people flinch when you talk about art in the context of the needs of society thinking you are introducing something far too common for a discussion of art. Why should art have a purpose and a use? Art shouldn't be concerned with purpose and reason and need, they say. These are improper. But from the very beginning, it seems to me, stories have indeed been meant to be enjoyed, to appeal to that part of us which enjoys good form and good shape and good sound.

People go to Africa and confirm what they already have in their heads and so they fail to see what is there in front of them.

We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.