Every time I finish a record, it's sort of feels like, "I can't believe that I'm hanging out and having a conversation, and people are gonna listen to this." It's an odd thing, but it's really cool.

My father was one of the greatest professional bowlers of all time. Seriously. Billy Hardwick: PBA Hall of Fame, Player of the Year in '63 and '69, and the first winner of the triple crown of bowling, among other things.

Television and movies just take so long. If you pitch a show or develop a project, it can be a year before your show even gets on the air, if it gets picked up. Just the concept of "I had this idea" and within a week it was in the world, that was a part of why it felt weirdly empowering as a performer.

I think some of what makes it a good podcast is that it's organic. It doesn't feel forced. If we can say anything about ours, it's that we're not faking it at all. We're genuinely interested in the people that we're talking to.

When you first start working, you take whatever job is offered, because you have to build your resume. But you don't think about what you're building.

Being constructively critical is good, as long as your purpose is to improve your methods for future endeavors. Lying in bed and replaying failures and telling yourself you're stupid is a tremendous disservice to your efforts and what you can offer the world.

I don't know why people don't want to talk about their numbers. I guess in a sense, there's a bit of performer nudity, a bit of ego nudity when you expose your numbers, I guess because someone's are higher or someone's are lower. I've never really talked about the numbers with anyone, so maybe I'm not supposed to.