Obviously, for me, that person has got to have a beauty to them - and it's not always physical beauty. It's important that I love someone's character and that I click with it.

So fashion was, in a way, an accident. But this world opens you up to a lot of different avenues that interested me. I loved the idea of working in different countries. And I loved the idea of construction and working with imagery. But, yes, I fell into fashion a bit by mistake.

I love the fact that I work with everything that has to do with the brand, the product, the environment, the online, the architecture, the web design, because I am somebody that loves making things, making experiences, creating things that people love to engage with.

We meet so many people, and it's interesting when you meet someone who you really connect with. They have their own energy, their own personality, and that is something so different than just beauty. So that really drives the decision for who to work with on a campaign.

It's really important to be disruptive and do things that actually are kind of a little scary and bold.

It's brilliant to get recognition. The CFDA was magic because it's such a big award in our industry. There's nothing more flattering than being honored by your peers.

The British Fashion Awards are also very important because it's my hometown. But it's really a recognition of my team, and those awards give me an opportunity to thank them in a formal way. You and I have worked together enough to know that it really isn't about two people. It's a whole team. And so it's great to acknowledge that you never do anything alone.