Sometimes awful things have their own beauty.

Lois and Alexander are by far the most beautiful creatures in the class; their beauty is like the beauty of plants, seemingly untroubled by vanity, anxiety or effort.

Berlin is a skeleton which aches in the cold: it is my own skeleton aching. I feel in my bones the sharp ache of the frost in the girders of the overhead railway, in the iron-work of balconies, in bridges, tramlines, lamp-standards, latrines. The iron throbs and shrinks, the stone and the bricks ache dully, the plaster is numb.

For a few minutes, maybe, life lingers in the tissues of some outlying regions of the body. Then, one by one, the lights go out and there is total blackness. And ifsome part of the non—entity we called George has indeed been absent at this moment of terminal shock, away out there on the deep water, then it will return to find itself homeless.

The more I think about myself, the more I'm persuaded that, as a person, I really don't exist. That is one of the reasons why I can't believe in any orthodox religion: I cannot believe in my own soul. No, I am a chemical compound, conditioned by environment and education. My "character" is simply a repertoire of acquired tricks, my conversation a repertoire of adaptations and echoes, my "feelings" are dictated by purely physical, external stimuli.

I often feel that worse than the most fiendish Nazis were those Germans who went along with the persecution of the Jews not because they really disliked them but because it was the thing.

What irritates me is the bland way people go around saying, 'Oh, our attitude has changed. We don't dislike these people any more.' But by the strangest coincidence, they haven't taken away the injustice; the laws are still on the books.