He was a writer and words were his weapons.

The prospect of change is a many-fanged beast, my dear.

Only cops and vampires have to have an invitation to enter.

Theophilus Crowe's mobile phone played eight bars of "Tangled Up in Blue" in an irritating electronic voice that sounded like a choir of suffering houseflies, or Jiminy Cricket huffing helium, or, well, you know, Bob Dylan.

The netherworld is timeless and unchanging, and boring -- much like a doctor's waiting room.

Like looking down on a lubricious chess set, isn't it? The king moves in tiny steps, with no direction, like a drunkard trying to avoid the archer's bolt. The others work their strategies and wait for the old man to fall. He has no power, yet all power moves in his orbit and to his mad whim. Do you know there's no fool piece on the chessboard, Kent?" "Methinks the fool is the player, the mind above the moves.

For me, 'Lamb' started out as a further exploration of the phenomenon of faith and the responsibility of a messiah that I touched on in 'Coyote Blue' and 'Island of the Sequined Love Nun,' but it ended up being an exploration of the true meaning of sacrifice, loyalty, and friendship.