Usually when I put my focus on the pacing, the plot, the specific characterizations, - it's ironic - but then I actually increase my chances of writing something that moves people because I haven't become too self-conscious of the goal.

Look at any city through the right memories and it could become a graveyard as haunted as a former battlefield.

I think the gay community, as a whole, is slighted by high-profile figures who remain in the closet. But I think that a lot of times we need to ask ourselves what that person's role in our community would be if they were out of the closet.

I think dragging someone out of the closet who isn't necessarily engaged in anti-gay activities can have a destructive effect on them and on us. I don't want unwilling gay people advocating on my behalf; I think that's a challenge.

I think outsiders sometimes produce the best fictional perspectives on reality because they're set apart from it, so they have a unique view from the border.

I think we need to always mimic reality in our fiction. I think that we can stir things up and reveal a truth beneath the surface in that way as well.

What's become more important to me over time is to not try to sell myself as someone that I'm not, and that begins with coming out of the closet and gradually it's a challenge to expand that into other areas of my life.