You realize that people take drugs because it's the only real personal adventure left to them in their time-constrained, law-and-order, property-lined world. It's only in drugs or death we'll see anything new, and death is just too controlling.

How this feels is I'm just another task in God's daily planner: The Renaissance pencilled in for right after the Dark Ages. The Information Age is scheduled immediately after the Industrial Revolution. Then the Post-Modern Era, then The Four Horsemen of the Apocalypse. Famine. Check. Pestilence. Check. War. Check. Death. Check. And between the big events, the earthquakes and tidal waves, God's got me squeezed in for a cameo appearance. Then maybe in thirty years, or maybe next year, God's daily planner has me finished.

Sometimes the very best way to deal with unpleasant things is to depict them in ways that allow people to laugh at them and destroy the power of unsayable things, rather than refusing to acknowledge them.

You realize that our mistrust of the future makes it hard to give up the past.

There is a social contract in "Fight Club" and in "Choke" where the protagonist has deceived a whole bunch of people. In "Choke" it's all of these people who think that they've saved his life, and really care about him because they've embraced him and they've been his saviors. In "Fight Club" it's all of these people who are dying of various diseases, and they thought that Edward Norton was also dying so they allowed him really strong pent-up emotions.

Taste is such a changing thing. Every age our tastes change. But the things that really last aren't necessarily the best or the worst or the most loved things, but they're the things that make the biggest impression.

I would pay snakes to bite her.