When I first started writing, there was no way I'd write a sex scene. That just seemed impossible. That's why in "Fight Club" all the sex happens off-screen. It's all just a noise on the other side of the wall or the ceiling. I just couldn't bring to write in a scene like that. So one of the challenges with "Choke" was I wanted to write sex scenes until I was really comfortable just writing them in a very mechanical way.

You could stab a knife right through my heart and you'd be too late.

Maybe it's just a daughter's job to piss off her mother.

When you go out with a drunk, you’ll notice how a drunk fills your glass so he can empty his own. As long as you’re drinking, drinking is okay. Two’s company. Drinking is fun. If there’s a bottle, even if your glass isn’t empty, a drunk, he’ll pour a little in your glass before he fills his own. This only looks like generosity.

The ultimate joke was the idea that capitalism would eat its own feces in order to make money, that would make fun of itself if capitalism thought there was a buck in it.

You hear the best stories from ordinary people. That sense of immediacy is more real to me than a lot of writerly, literary-type crafted stories. I want that immediacy when I read a novel.

Be famous. Be a big social experiment in getting what you don't want. Find value in what we've been taught is worthless. Find good in what the world says is evil. I'm giving you my life because I want the whole world to know you. I wish the whole world would embrace what it hates. Find what you're afraid of most and go live there.