If you're playing someone who's impeded by fear, or shyness, or has whatever dysfunction your character might have, you have to achieve the dysfunction first, imaginatively, in order to play someone who is trying to negotiate their way out of it.

Certainly, from where I stand, I'm not a specialist in wildly different walks and voices. But I find as much variation and nuance as what satisfies me in what I do. So, I don't find this particularly different. He has his own peculiarities. You're probably talking about a cluster of Englishmen in suits but I've done quite a big cluster of guys not in suits as well, which I've occupied myself with. So, I don't find that this is the one that stands out.

I love you even when you're sick and look disgusting.

The great thing about dealing with people about whom we have historical resources, is that if the writing needs work, there's everywhere to go to enrich it.

I'm not patient, and some things drive me crazy. In my work, I get incredibly upset when people don't get it right or don't respect others' needs.

You have to be ill if you want to get better.

Actors are basically drag queens. People will tell you they act because they want to heal mankind or, you know, explore the nature of the human psyche. Yes, maybe. But basically we just want to put on a frock and dance.