I'll be your friend so long as you're not crap

I think that London is very much like that. I find there's humour in the air and people are interesting. And I think that it's a place which is constantly surprising. The worst thing about it? I think it can be smug and aggressive.

They said: "Make it in this amount of time and go for it now..." Which is why I was suddenly ambushed and we all found ourselves doing it. I suspect this wasn't quite recognisable in its genre to give people the confidence just to throw money at it.

If I were to write a book about the progress of getting to a third film, it would be a long one.

What infuriates me is that in America violence is judged in context, whereas language is not. So with language there is an arithmetic that says: one f*** is a PG 13, two f***s is an R. They don't say: one bullet through one head is a PG 13, two bullets through more than two heads is an R.

When I'm really into a novel, I'm seeing the world differently during that time— not just for the hour or so in the day when I get to read. I'm actually walking around in a haze, spellbound by the book and looking at everything through a different prism.

My singing voice is somewhere between a drunken apology and a plumbing problem.