Forget trying to be sexy. That's just gruesome.

It's whether they have a vision and whether they're able to communicate it. The best director is just someone who gets over-excited about doing it - they don't even have to know much about camera or acting.

When I'm really into a novel, I'm seeing the world differently during that time— not just for the hour or so in the day when I get to read. I'm actually walking around in a haze, spellbound by the book and looking at everything through a different prism.

It's a very dangerous state. You are inclined to recklessness and kind of tune out the rest of your life and everything that's been important to you. It's actually not all that pleasurable. I don't know who the hell wants to get in a situation where you can't bear an hour without somebody's company.

It does help to actually realize that however stunning the person who is, you know, fluttering eyelashes at you, she doesn't do anything to match up to your wife.

It's an unknown quantity. It's actually almost a cliché to say it, how hard comedy is. What's that famous quote? "Dying is easy, comedy's hard." I think the broader it gets, if you miss by a millimetre, you've missed completely. It's a very hard thing to do.

Directors don't get to see other directors at work - they're the only one on the set. I've met directors who've asked me what another filmmaker is like. So, there's probably nobody better placed to make all the comparisons and to pick up stuff than an actor.