Yeah. You've seen The Sun today; I've got myself a big house, settled down. Apart from the odd night out with the New Fathers' Club, I'm a family man now.

I like to put my iPad on the window and leave it there for however long the journey is, so that I'm staring out, and it's staring out. We're kind of staring out together. It's very poetic to me, watching that absent-minded passing of time. You realize how much you've taken in. What is left of that memory of you staring out of the window for an hour? It's all on the iPad.

It's important that Oasis are rude about everybody and that they get drunk...Fair enough. It's nice, isn't it? But it's nothing to do with me. They came to see us in Manchester and they were very pleasant boys. Very nice. I'd like to see that as a quote. Oasis are very nice boys.

Danger Mouse is now working on a bunch of other records, translating his ideas about remixing into all sorts of other projects.

Being in Blur has allowed me to travel and hear the music that's being made all over the world.

Change terrifies people. They like new, but they don't like new with change.

I'm an English songwriter/composer, working in Mandarin and trying to find something about Chinese culture that I really relate to and respect and feel some genuine emotions for - and it's quite hard, the pentatonic scale, and that, in a way, is why I think it works. Because I'm forced to limit myself to quite strict rules about what I did. Maybe that's how I avoided pastiche.