I had written eight drafts of the Lemony Snicket' screenplay when this changing-of-the-guard thing happened, and I said to the new producers, "I don't think I could write any more drafts." I guess I was sort of hoping they would say, "Well that's okay, this last one is perfect." But instead, they said, "It's funny you should say that. We don't think you can write any more drafts either."

and what might seem to be a series of unfortunate events may in fact be the first steps of a journey.

An Overall Feeling of Doom that One Cannot Ever Escape no Matter What One Does

We weren't friends[...]We were more like jigsaw pieces, each of us part of the same big picture. There are people like this wherever you go. They are part of the same mystery as you are, but you can't quite tell how you fit together. The world is a puzzle, and we can't solve it alone.

I will love you if I never see you again, and I will love you if I see you every Tuesday.

With the publishing of The Basic Eight, it was often assumed that I was really immature and callow, and with the publishing of Watch Your Mouth, it was assumed that I was oversexualized, and with Lemony Snicket, it's often assumed that I'm erudite and depressed. But all the voices more or less came naturally to me.

It has been said that the hardest job in the world is raising a child, but the people who says this have probably never worked at a comb factory or captured pirates on the high seas.