A song versus an album is not like a scene versus a play.

Empires are doomed. They become more diffuse, more broke, demagogues rule, and so I was just pointing out some similarities between past empires and what's going on right now. They all have had to apply more and more harsh rhetoric of superiority and divine right to justify the building of hegemony.

I've watched towns and cities evolve and become very resilient, and fun, and unique, and prosperous on their own terms. And the secret is bridging. It's when the local church has a fun clothing swap fundraiser with a temple, and then the next year they bring in the mosque.

What was nice about the nineties is that it was an example of music that responded to a desire of the times. It spoke to the social conditions of the times. Women were making more money. Women were saying, "My voice counts. If we're going out on a Friday night, I don't want to see a Rambo movie. I want to go see a singer/songwriter who sings about my life".

I think the music was speaking to that opening up of whose voice gets heard and how multidimensional that voice can be.

In the laughing times we know that we are lucky, and in the quiet times we know that we are blessed. And we will not be alone.

In terms of our democracy, we are sort of shrugging our shoulders and saying, oh dear, Guantánamo, that's so awful, that's so awful, but it's here. The pendulum usually swings from left to right and then right to left, but there are so many people in power who have taken the pendulum and just pinned it to the right that there is a fear that it's never going to swing back.