I've watched towns and cities evolve and become very resilient, and fun, and unique, and prosperous on their own terms. And the secret is bridging. It's when the local church has a fun clothing swap fundraiser with a temple, and then the next year they bring in the mosque.

Basically, I have found that people who have tried to start communities out of good feelings or hippie-dippie abstract concepts of love - it doesn't work. But if you just concentrate on what is the identity of your town - its waterfalls, its battles, its notable mill strike or those things - you dig into what your town is from its rock formations to its history to its food. Then this thing called community happens all the time.

In terms of our democracy, we are sort of shrugging our shoulders and saying, oh dear, Guantánamo, that's so awful, that's so awful, but it's here. The pendulum usually swings from left to right and then right to left, but there are so many people in power who have taken the pendulum and just pinned it to the right that there is a fear that it's never going to swing back.

We all do the wrong thing. And then we have to wake up the next morning and live with the fact that we have done things that are wrong.

Empires are doomed. They become more diffuse, more broke, demagogues rule, and so I was just pointing out some similarities between past empires and what's going on right now. They all have had to apply more and more harsh rhetoric of superiority and divine right to justify the building of hegemony.

Every once in a while I check and I say, do I still believe in God? And the answer is absolutely yes. And then I think, I suppose I should go to church now. But after going to so many churches in my life and trying to go with the flow with so many denominations, Eastern and Western, I don't really feel I need to go to church at all.

What happened on "As Cool As I Am" was, you know how in the `90s, "the personal is political, the political is personal"? That was a really big thing. Choices you made about how you recorded and what instruments you used and how much real versus how much synthetic. Those were choices that were seen as very political at the time.