Basically, I have found that people who have tried to start communities out of good feelings or hippie-dippie abstract concepts of love - it doesn't work. But if you just concentrate on what is the identity of your town - its waterfalls, its battles, its notable mill strike or those things - you dig into what your town is from its rock formations to its history to its food. Then this thing called community happens all the time.

There's a marketing scheme that tells you that pregnancy and child rearing will make you into a moron, that your kids are only happy when you're buying them stuff. It's hard being a parent, but I laugh a lot and smile a lot and really enjoy it. The ratio of laughter to sadness is higher. There's part of me that wants to broadcast that. Parenting only affirmed what I already cared about, and that's good.

Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.

But if you're looking to be spooked by really tall trees then you've got to go to Washington State.

If you're looking for can-do, earthy-crunchy attitude then you've got to go to Wisconsin.

I spent a year pulling all-nighters and driving around in a really tiny fuel-efficient car relying on the kindness of strangers and seeing this incredible range of landscapes throughout the United States. That's what happened with The Honesty Room. It was a huge night and day switch.

I really value people besides parents who nurture kids.