But if you're looking to be spooked by really tall trees then you've got to go to Washington State.

They preach that I should save the world. They pray that I won't do a better job of it.

I think the music was speaking to that opening up of whose voice gets heard and how multidimensional that voice can be.

I have odometer readings, kids; all sorts of measurements of what I've been doing for the last 20 years. I get it. I get that it was a while ago.

Basically, I have found that people who have tried to start communities out of good feelings or hippie-dippie abstract concepts of love - it doesn't work. But if you just concentrate on what is the identity of your town - its waterfalls, its battles, its notable mill strike or those things - you dig into what your town is from its rock formations to its history to its food. Then this thing called community happens all the time.

Some of us have such incredible things that can keep us from acting. We have the luxury of drinking such good wine, and having such good information at our fingertips. I can look up anything on my computer. And I can call any friend at the drop of a hat on my cell phone. And I can have beautiful clothing and great food in a world where people are being tortured. I have some responsibility for that.

I remember doing "As Cool As I Am" and Steve Miller, the producer, saying "I really hear a drum loop here. I want to play it for you." When I wrote it, I thought, "This isn't going to sound very folky. I don't think it's going to go with mandolins and banjos." Then he played the loop for me and it sounded right.